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Just a Thought…

Families, friends, teachers, & community leaders all play a role in helping boys define what it means to be a man. Mainstream media representations also play a role in reinforcing ideas about what it means to be a “real” man in our society. In most media portrayals, male characters are rewarded for self-control and the control of others, aggression and violence, financial independence, and physical desirability.

The Red Pill – a 2016 American documentary film directed by Cassie Jaye. The film explores the men’s rights movement, as Jaye spends a year filming the leaders and followers within the movement. The Red Pill premiered on October 7, 2016, at Cinema Village in New York City, followed by several other one-time screenings internationally. It was released on DVD and Blu-ray on March 7, 2017, by Gravitas Ventures. Controversy over the documentary has led to some protests and cancellations of its screenings.

The Red Pill shifts from Jaye’s investigation of what she initially believed to be a hate movement to more sympathetic coverage of the movement. The shift is shown in the film through Jaye’s questions about her own views on gender, power, and privilege.

The Red Pill also discusses issues facing men and boys such as male suicide rates, workplace fatalities and high-risk jobs, military conscription, lack of services for male victims of domestic violence and rape, higher rates of violent victimization, issues concerning divorce and child custody, disparity in criminal sentencing, disproportionate funding and research on men’s health issues, educational inequality, societal tolerance of misandry, circumcision and men’s lack of reproductive rights.

It includes interviews with men’s rights activists and those supportive of the movement, such as Paul Elam, founder of A Voice for Men; Harry Crouch, president of the National Coalition for Men; Warren Farrell, author of The Myth of Male Power; and Erin Pizzey, who started the first domestic violence shelter in the modern world. It also includes interviews with feminists critical of the movement, such as Ms. magazine executive editor Katherine Spillar, and sociologist Michael Kimmel. It also contains excerpts from Jaye’s video diary.

More details here…

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Various media portrayals of Male characters...

Falling within a range of stereotypes, the report Boys to Men: Media Messages About Masculinity, identifies the most popular stereotypes of male characters…

The Joker is a very popular character with boys, perhaps because laughter is part of their own “mask of masculinity.” A potential negative consequence of this stereotype is the assumption that boys and men should not be serious or emotional. However, researchers have also argued that humorous roles can be used to expand definitions of masculinity.

The Jock is always willing to “compromise his own long-term health; he must fight other men when necessary; he must avoid being soft; and he must be aggressive.” By demonstrating his power and strength, the jock wins the approval of other men and the adoration of women.

The Strong Silent Type focuses on “being in charge, acting decisively, containing emotion, and succeeding with women.” This stereotype reinforces the assumption that men and boys should always be in control, and that talking about one’s feelings is a sign of weakness.

The Big Shot is defined by his professional status. He is the “epitome of success, embodying the characteristics and acquiring the possessions that society deems valuable.” This stereotype suggests that a real man must be economically powerful and socially successful.

The Action Hero is “strong, but not necessarily silent. He is often angry. Above all, he is aggressive in the extreme and, increasingly over the past several decades, he engages in violent behavior.”

Another common stereotype…

The Buffoon commonly appears as a bungling father figure in TV ads and sitcoms. Usually well-intentioned and light-hearted, these characters range from slightly inept to completely hopeless when it comes to parenting their children or dealing with domestic (or workplace) issues.

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